"Feel Good Time"
Written by William Orbit, Beck (as Beck Hansen) and Jay Ferguson
Performed by Pink featuring William Orbit
Produced by William Orbit
Pink appears courtesy of Arista Records
Contains a sample of "Fresh Garbage"
Performed by Spirit
Courtesy of Epic Records
By Arrangement with Sony Music Licensing


"Saturday Night's Alright For Fighting"
Written by Elton John and Bernie Taupin
Produced by Chad Kroeger
Performed by Nickelback featuring Kid Rock
Nickelback appears courtesy of Roadrunner Records
Kid Rock appears courtesy of Lava/Atlantic Records


"Rebel, Rebel"
Written and Performed by David Bowie
Courtesy of EMI Records, Ltd./Sony Music Entertainment, Inc.


"Danger! High Voltage"
Written by Tyler Spencer, Anthony Selph, Joseph Frezza and Stephen Nawara
Performed by Electric Six
Courtesy of XL Recordings


"Livin' On A Prayer"
Written by Jon Bon Jovi, Richie Sambora and Desmond Child
Performed by Bon Jovi
Courtesy of Island Records
Under license from Universal Music Enterprises


"Anyway You Want It"
Written by Steve Perry and Neal Schon
Performed by Journey
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing


"Surfer Girl"
Written by Brian Wilson
Performed by The Beach Boys
Courtesy of Capitol Records
Under license from EMI Film & Television Music


"Working For The Weekend"
Written by Paul Dean, Matthew Frenette and Michael Reno
Performed by Loverboy
Courtesy of Columbia Records/Sony Music Entertainment (Canada) Inc.
By Arrangement with Sony Music Licensing


"A Girl Like You"
Written and Performed by Edwyn Collins
Courtesy of Natural Energy Lab


"I Just Want To Be Your Everything"
Written by Barry Gibb
Performed by Andy Gibb
Courtesy of Polydor Records Ltd. (U.K.)
Under license from Universal Music Enterprises


"This Will Be (An Everlasting Love)"
Written by Charles Jackson and Marvin Jerome Yancy
Performed by Natalie Cole
Courtesy of Capitol Records
Under license from EMI Film & Television Music


"U Can't Touch This"
Written by Rick James, M.C. Hammer and Alonzo Miller
Performed by M.C. Hammer
Courtesy of Capitol Records
Under Licence from EMI Film & Television Music


"Last Dance"
Written by Paul Jabara
Performed by Donna Summer
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises


"Who Are You"
Written by Pete Townshend (as Peter Townshend)
Performed by The Who
Courtesy of Polydor Records Ltd. (U.K.) and MCA Records
Under license from Universal Music Enterprises


"Firestarter"
Written by Liam Howlett, Keith Flint, Trevor Horn, Anne Dudley,
Jonathan Jeczalik, Paul Morley, Gary Langan and Kim Deal
Performed by The Prodigy
Courtesy of Maverick Recording Company/Beggars Banquet/XL Records/Mute Records
By Arrangement with Warner Strategic Marketing
Contains a sample from "S.O.S."
Performed by The Breeders
Courtesy of Elektra Entertainment Group/4AD
By Arrangement with Warner Strategic Marketing
Also contains a sample from "Close To The Edit"
Performed by The Art of Noise
Courtesy of ZTT Records


"Breathe"
Written by Liam Howlett, Keith Flint and Maxim Reality (as Keith Palmer)
Performed by The Prodigy
Courtesy of Maverick Recording Company
By Arrangement with Warner Strategic Marketing


"Block Rockin' Beats"
Written by Tom Rowlands, Ed Simons and Jesse Bonds Weaver, Jr.
Performed by The Chemical Brothers
Courtesy of Virgin Records/Astralwerks Records
By Arrangement with EMI Film & Television Music
Contains a sample of "Gucci Again"
Performed by Schoolly D
Courtesy of Jive Records


"Misirlou"
Written by Nicholas Roubanis
Performed by Dick Dale & The Deltones
Courtesy of Dick Dale Records


"Wild Thing"
Written by Matt Dike, Marvin Young and Anthony Smith
Performed by Tone Loc
Courtesy of Delicious Vinyl


"Nuthin' But A 'G' Thang"
Written by Cordozar Broadus, Leon Haywood and Frederick Knight
Performed by Dr. Dre
Courtesy of Death Row Records
Under license from Suge Publishing


"Flashdance... What A Feeling"
Written by Irene Cara, Keith Forsey and Giorgio Moroder
Performed by Irene Cara
Courtesy of Unidisc Music Inc.


"The Pink Panther"
Written by Henry Mancini
Performed by Hollywood Studio Orchestra
Courtesy of EMI Records
Under license from EMI Film & Television Music


"The Lonely Goatherd"
Written by Richard Rodgers and Oscar Hammerstein II
Courtesy of The Rodgers & Hammerstein Organization
Soundtrack on Columbia/Sony Music Soundtrax


"Sleep Now in the Fire"
Written by Zack De La Rocha, Tom Morello, Brad Wilk and Timothy Commerford
Performed by Rage Against the Machine
Courtesy of Epic Records
By Arrangement with Sony Music Licensing


"Mickey"
Written by Nicolas Chinn (as Nicky Chinn) and Michael Chapman
Performed by Toni Basil
Courtesy of Razor & Tie Direct, LLC


"Through The Eyes Of Love"
Written by Carole Bayer Sager and Marvin Hamlisch
Performed by Melissa Manchester
Courtesy of Arista Records, Inc.
Under license from BMG Special Products, Inc.


"Eine Kleine Nacht Musik"
Written by Wolfgang Amadeus Mozart


"Looks That Kill"
Written by Nikki Sixx
Performed by Mötley Crüe
Courtesy of Mötley Records


"Born Free"
Written by John Barry and Don Black


"Charlie's Angels 2000"
Written by Jack Elliott and Allyn Ferguson
Performed by Apollo 440
Courtesy of Epic Records/Sony Music Entertainment (UK) Ltd.
By Arrangement with Sony Music Licensing


"Centerfold"
Written by Seth Justman
Performed by J. Geils Band
Courtesy of EMI Records
Under license from EMI Film & Television Music


"Thunder Kiss '65"
Written by Ivan De Prume, Sean Yseult, Jay Yuenger and Rob Zombie
Performed by White Zombie
Courtesy of Geffen Records
Under license from Universal Music Enterprises


"Cape Fear"
Written by Elmer Bernstein and Bernard Herrmann


"Get Down Tonight"
Written by Harry Wayne Casey and Richard Finch


"Acetone"
Written by Scott Kirkland and Ken Jordan
Performed by The Crystal Method
Courtesy of The Crystal Method, Inc.


"Sleep Walk"
Written by Johnny Farina, Santo Farina and Ann Farina
Performed by Santo & Johnny
Courtesy of BMG Ricordi S.p.A.
Under license from BMG Special Products, Inc.


"Planet Claire"
Written by Henry Mancini, Kate Pierson, Fred Schneider, Keith Strickland,
Cindy Wilson and Ricky Wilson
Performed by B-52's
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products, and
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises, and
Courtesy of Man Woman Together Now! Inc.


"Hooray For Hollywood"
Written by Richard A. Whiting and Johnny Mercer


"Scene D'Amour"
/"The Nightmare"
from "Vertigo"
Written by Bernard Herrmann
Performed by The City of Prague Philharmonic Orchestra
Conducted by Paul Bateman
Courtesy of Silva Screen Records Ltd.
By Arrangement with Source/Q


"Raindrops Keep Fallin' On My Head"
Written by Burt Bacharach and Hal David
Performed by B.J. Thomas
Courtesy of King Records Inc.


"NAS' Angels... The Flyest"
Written by Nas (as Nasir Jones), Pharrell Williams and Chad Hugo
Performed by Nas featuring Pharrell Williams (as Pharrell)
NAS appears courtesy of Columbia Records
Pharrell appears courtesy of Virgin Records

Attacking `Charlie's Angels: Full Throttle' is a bit like shooting secret agents in a barrel; there's just not a lot of sport in it because it's way too easy to do.

Cameron Diaz, Lucy Liu and Drew Barrymore return as the giggly, jiggly trio who, we're supposed to believe, are amazing, expert crime fighters. About the only way this material stands even a chance of succeeding is if the filmmakers treat it like some over-the-top, live action cartoon (or is it video game?) - which is pretty much what they've done. Unfortunately, it turns out to be a cartoon almost totally devoid of wit, creativity and charm. The plot mainly consists of finding ways to get the girls into campy costumes and situations. Thus we have the angels as nuns, the angels as welders, the angels as exotic dancers. The problem is that this cutesiness wears awfully thin after awhile, especially since that is pretty much all the screenplay manages to come up with in the way of entertainment.

The stunt sequences – which consist mainly of tedious slow-motion shots of the girls flipping through the air, karate-chopping the bad guys and dodging bullets - are so excessive in nature that we begin to understand what a detrimental effect `The Matrix' (however inadvertently) has had on filmmaking in the past few years. When any physical action - no matter how contrary to the laws of physics and gravity - is possible, how are we supposed to care what happens to the people involved? If no one seems to be in any real danger, all possible suspense is eliminated and we are left admiring the work of the special effects team and very little else. The `Charlie's Angels' films are not alone in this regard, but they do serve as handy warning signs of the potentially debilitating effect of this trend on the future of action movies.

About halfway through the film, Jaclyn Smith, one of the angels from the original TV series, shows up to dispense some veteran advice to one of our intrepid little cherubs. Though long past her prime, Smith is so goddess-y beautiful in her brief moments on screen that, not only does she outclass all three of the leading players, but she makes us, heaven forbid, even feel a twinge of nostalgia – however faint - for the original series. Frankly, I didn't think that was possible. Credit the makers of this fiasco for achieving at least that much with their film.

The Angels rescue Marshal Ray Carter from Mongolia but leave without what they presume to be his wedding ring. Later they find out that the ring is one of a coded pair that, once combined, unlocks the data for the location of the entire witness protection programme. The other ring has also been taken from it's holder and the holder murdered. The Angels are charged to bring back the rings but along the way they encounter secrets from the past including a violent old flame from Dylan's youth seeking revenge and an ex-Angel striking out on her own.

It was with a heavy (but open) heart that I went to see this film. I had enjoyed the first film (for all it's flaws) but I didn't really want to see a film that just went over the same ground. Happily CA2 didn't just make the same mistakes as the first film did – it actually went beyond them! One problem with the first film was that the plot had too many scenes that just seemed to happen without reason or consequence (the race cars scene for one). However here the majority of the scenes seem to exist outside the plot. It's like they knew that they wanted to repeat the essence of some scenes from the first film and, if they couldn't fit them into the plot, then they just dropped them in anyway. Scenes that were enjoyable in the first film were just not quite as funny the second time round.

The plot is so disjointed that it really does feel very episodic and I struggled sometimes to see the narrative flow – mainly because for large sections of the film there wasn't one. Characters are dropped in for little reason, scenes occur that are wedged into the plot simply because someone had the idea in isolation and got it added to the film etc. However I won't waste time debating this here as I think many agree that this film was never meant to provide substance. Which leaves us with style. McG is aptly named as he is responsible for a mass produced product that seems to lack invention or spark of it's own. It was possible to look at the first film as a tongue in cheek satire of blockbusters – but to do the same thing all over again made me realise that he wasn't satirising the cult of excess – he is actually part of it and worse, he hasn't got ideas of his own.

Hence we have scenes that are more like music videos. The soundtrack pretty much covers the whole film, lest we should have a quiet moment to think! Also the action scenes are sub-par Matrix rips – once he may have gotten away with it but the joke has worn thin. The action is just silly and makes it very hard to get excited or involved. The opening sequence is just laughable and sets the tone – it's a shame as some of the fights are well choreographed and could have been good if they hadn't been pushed to being OTT. The constant use of slow motion and linger shots of the girls' asses or blowing hair also gets quite tiresome in the end. The film has quite a few good references to other movies (eg Cape Fear & Sound Of Music) however these only work if they exist as scenes themselves and not just as references. To show you what I mean, `The Simpsons' spoofed Cape Fear, but the episode stood in it's own right. In CA2 some references seem only to exist as references and not part of the film. The constant use of in-jokes and styles from other films stopped feeling like clever fleeting references and started to feel like McG just plundering for things to fill his film – I mean, doesn't even the concept of a quest for a ring sound familiar to anyone, never mind the Matrix effects?!

The cast is amazing and it is to McG's further shame that he makes poor use of the majority of them. The lead trio are good but (as the outakes show) seemed to have had more fun making it than I had watching it. Liu comes out the best for my money as she is the most convincing fighter and is the sexiest! Moore is alright in the support but she is poorly used – she really does have a very small role, most of which is to show off her new body. Mac is a major let down – from the trailer he had looked funny but the truth is that he gives a poor minstrel performance at best. He has a few funny lines but he is not as funny as I've seen him – his failure makes the loss of Bill Murray feel 100 times greater. Theroux is physically impressive but has a terrible accent that wonders from Northern Irish to Southern Irish to some sort of flat Scots at times. The support cast is deep and mostly wasted - Bruce Willis has about 3 words and 1 minute of screen time, Fisher, Patrick, Eve, LeBlanc, Wilson, The Olsen's, Smith, Forster and Pink (to name a handful) all have very little to actually do and it just turns their scenes into a game of `oh look it's …'. The biggest waste is Cleese who is given nothing to do but do bug eyes over cheap innuendo and whisper `ferret'.

Overall I'm aware that to make these points is a waste of my time as many fans of this film will acknowledge them and say `so what?'. Hell – I half enjoyed the film as a piece of fluff for a Sunday afternoon with mindless action and sexy ladies – but it's hard for that to totally suffice and, try as I might, I couldn't help but feel like I wanted something more from it.

We caught a double at the matinee today and perhaps I found CA:FT so much fun due to the comparison of the pretty lousy League of Extraordinary Gentlemen we had just seen. But, fun it was!

I went in hoping for more of the satirical flair that made the first one enjoyable. CA:FT delivered. This is the way movies about campy TV shows *should* be made. An over-the-top parody that keeps you gasping and laughing the entire time.

If you want "realistic" action, this movie is NOT it. This is a live-action cartoon, beautifully shot in a kinetic MTV style. Cameos are numerous ("Is that Bruce Willis?" "Hey, Pink!") and watch for plenty of little homages to various campy TV series of the same genre.

Most of all, sit back and enjoy! The three angels are as goofy as ever with their satire-sincerity and "fierce" poses. They each have a distinct personality trait which helps all the little subplots keep moving along.

The supporting cast was fine too. Bernie Mac's Bosley was an improvement over the first. Lots of laughs! Demi's Madison character was okay, but I kept getting the impression she was trying too hard. This is a parody and Madison should have been a hammed-up villainess, but Moore remained too seriously focused. This caused the character to seem out of step with the rest of the movie. John Cleese was fine too. His part was small and generally consisted of the tired joke of miscommunication about his daughter's (Liu) occupation.

If you enjoyed the first Charlies Angels, see this! If you like goofy, all-out action fun, see this! If you want drama, skip this.

7 out of 10.

I liked "Charlie's Angels." It never took itself too seriously, and Bill Murray provided some comic relief, making the film more than just an hour and a half bikini advert. Something funny (or unfunny) happens in "Charlie's Angels: Full Throttle": It's terrible.

I mean, this movie isn't bad, it's just awful. The acting is even worse than the first, there's no Bill Murray, and what were all the stars making cameos in this film thinking? Bruce Willis, Owen Wilson, and others make brief appearences, but what about Demi Moore, Crispin Glover ("Back to the Future"), Robert Patrick (better remembered as the T-1000 in "T2"), John Cleese (or was that a cameo?), Luke Wilson, Bernie Mac (who now has his own very popular TV show--he didn't need this to hinder his career), Matt LeBlanc ("Friends"), and so on and so forth, who all took main roles? Okay, I understand LeBlanc taking part in the film, his career is going nowhere other than "Friends," but seriously, Luke Wilson?! Between this and "Legally Blonde 2," the man may never make a lead role again (like in "Old School," a much funnier and more fun film than this). And John Cleese! What's with him and small roles lately? "Harry Potter," "James Bond," all of his roles are supporting: Whatever happened to his acting career? And that's not to mention what in the %&#% Cameron Diaz is doing in this movie. Drew Barrymore...maybe. Lucy Liu...definately. Cameron Diaz...NO WAY! I really like Cameron Diaz, and she can act (see "There's Something About Mary"), but what in the name of H.G. Wells is she doing in this? And why does she act so bad in it? I understand playing homage to the show with bad acting and all like the first film, but this pushes the limit.

The direction style is worse, thanks to "McG," and Drew Barrymore manages to steal the show as the all-time worst actress in recent years. I know it's not all her--it's the script. Anyone who has to say the stuff these girls say in this film should know they're in trouble, and should mutter the lines with utter chaos, but it's unbearable how corny the things they say are. And just check out their acting in a dirt bike scene, when Liu and Barrymore are "worried" and "scared" that Diaz's character might be in trouble. Youch! Bad acting to a new extreme. This film has the mediocrity of a horrible B-movie from the seventies, with a huge budget splattered on top.

Originally titled "Charlie's Angels: Halo" (the name changed due to copyright on the video game "Halo"), "Full Throttle's" plot is one of the worst I've seen in a long time. It's horribly contrived. Where should I begin? In the beginning of the film, the three Angels, Natalie (Diaz), Alex (Liu) and Dylan (Barrymore) rescue a hostage (Patrick) from a bunch of Hungarians. Stupidity ensues when the Angels fall off a bridge, dodging a missile, and manage to grab onto a helicopter or something before the truck they were in blows up. When watching this scene, the first things that enters your brain is this: How in the world did this pass Columbia TriStar's eyes? I mean, that scene is the kind of stuff I used to think would be neat when I was about ten, only back then they didn't make feature films out of idiotic ideas. Anyway, on with the plot.

After rescuing Patrick, they find out he was carrying with him a ring on his finger that the Hungarians stole. This ring, when joined with another, reveals the entire database of those on the witness protection program and their real names. Good Lord, I didn't know that the Government kept the names of their protected witnesses on a super-duper ring gadget so easily stealable. I mean, didn't this pass the actors and actresses' minds--maybe the film might be a bit sore on the plot?

I suppose that's not why people go to see this movie. They go to see the girls in bikinis. That's not a bad idea, the first one was like that, but if you're going to have a plot at least make it non-laughable. Even the first film's plot was better than THIS!

One thing leads to another, pretty soon they find out Dylan (who entered the witness protection program years ago) is being targeted for assassination by the Creepy Thin Man (Crispin Glover). One thing I found funny is that Crispin Glover refused to return for "Back to the Future Part II," demanding what writer Bob Gale said was "unreasonable" perks, yet he returned for "Charlie's Angels 2" in a flash. Interesting, Crispin, I see you've learned from your mistakes--sadly, you've used your wisdom to return for a terrible film.

"Charlie's Angels: Full Throttle" isn't just miserable, it isn't just awful, it is just so mediocre it hurts. It's like on gargantuan mess, filled to the rim with bad acting, horrible "Matrix" rip-off fight scenes, and a God-awful script, all of which makes "Charlie's Angels: Full Throttle" one of the biggest cinematic disasters in recent years. I could spend hours wondering why the beautiful and talented Cameron Diaz chose to appear in this film, but in all honesty, it hurts my brain just thinking about it. What hurts my brain even more is the fact that this film has grossed close to 100 mil already, meaning more sequels. I weep for those that paid to see this movie expecting a treat.

I'll say once more to the fans of the films that I enjoyed the original as a guilty pleasure, but this is too much for me. Please, no more sequels.

1.5/5 stars -

John Ulmer

man those were the good old days weren't they?

-This spectacular piece of poop is about the three angels stopping a former angel from taking over the world or whatever. So the angels must stop her and whiles they're busy doing that they run into such amazing adventures like stripping for no reason and delivering lines so terrible they almost blew out my center speaker. In the incredibly predictable and crappy end they save the day and they all give us a constipated smile to suggest that they live happily ever after. Wow that has never been done before. I always thought that foolscreen DVD's were the worst thing to happen to cinema but it turns out I was wrong, that crown goes to the master filmmaker McG. How the hell he keeps getting his movies green lit is perhaps the greatest mystery since "why Paris Hilton is famous". I'm really glad that he dropped out of the new "Superman" movie and let the supremely talented Bryan Singer direct, because if he had directed it then "Batman Begins" would have been the first and only great DC comics movie.

-I really hate this movie. Usually there's something decent about every movie but this movie had NOTHING. Much like that dog poop "House of the Dead" this movie is devout of any form of entertainment what so ever. There are potholes so big you can drive a tank through them. Then there's the lines, my god this movie has pound for pound some of the worst dialog ever to invade my ears. Whoever was the DP on this movie needs to beaten severely because the look of this crap gave me a headache. The colors are so bright and so "look at me" that it causes nausea, and the lights are so heavy on the actors that their faces look like it has had too much make up applied to it.

-The fights are also incredibly stupid. You can tell that these women are on a wire so much that it borders on the idiotic. McG's attitude in this crap was that the angles can do anything, and that includes sliding under tables and doing cartwheels with a chair. Another thing that drove me insane is that these girls are suppose to be intelligent and yet they keep acting stupid in every scene that we see them in. There is one scene in which the angels must retrieve a key from a man and instead of waiting for him in a parking lot and knocking him down to steal the key, they instead opt to do a striptease and distract him. I'm sure some horny 14 year old may find that entertaining but if you're not horny, and 14 then you'll find it as pointless as everyone else did. The music is bland and the jokes go down faster than Jenna Jameson at work. If you look up deplorable in the dictionary you'll see a picture of this movie

-If you have a party and you want to clear out the room then pop this movie in and surely everyone will leave your house so you can clean up, but if you're not having a party and want to clear the room then please by all means avoid this with all your might. it is really dreadful and painful, kinda like my jokes.

I watched this film at the recommendation of my 13 year-old daughter. I like the original film version of a few years ago but Full Throttle lacks the wit and charm of its predecessor. It therefore had to rely on action and special effects which I found boring (and I like action films). The dialogue was weak and, in particular, the special effects were disappointing for this day and age. There was too much obvious work in front of the blue screen and the situations were so preposterous that I eventually gave up on the film after enduring too much of a particularly ridiculous chase. I've only ever walked out on two other films in over 40 years. There is much better entertainment available.

What do you say about a comedy that isn't at all funny a spoof thats to heavy handed and loud that its just irritating Boy I wish I could get a job where with out any talent I could waste millions of dollars make a incoherent piece of tripe (that did not do that well ) and be told sure you can make the last installment of this overdone franchise.Is any body else really sick of these MTV directors with there million of blazing editing cuts to create these false epics.How many good movies from struggling directors will never be seen because Hollywood is still looking for that big score picture. doesn't matter if good or not just loud and flashy. OH those lovable bean counters.

I liked the first Charlie's Angels film. OK so it was never going to make cinematic history, but it was fun in a kitsch kind of a way.

Not so the second. The storyline is disjointed, and the action sequences are so far overdone it's laughable. Suspension of disbelief is one thing, but when the Angels are flying around like Matrix Agents even dodging bullets, it just gets silly. There are numerous references to other films, but I get the impression that they're included as padding rather than genuine homages.

Demi Moore looks great, but is wasted in this compost heap of a film. If ever there was an argument for not buying a DVD before you've watched it, this is it.

If you haven't read the person's review that stated "For those that 'get it'....", then read that one. That reviewer states some good points.

Commenting that the movie lacks plot, is cliched, is 'over the top' is like complaining that a Shakespeare play is a lousy action movie; Charlie's Angels 2 is *meant* to be an over-the-top, outrageous, spoofing, comedical parody-type action movie. The characters don't just do action, they do "over the top" action. The stunts are not just amazing, they are "over the top". Part of the comedic elements are derived from characters doing *exagerrated* action sequences, thereby spoofing action movies. The movie broke out in a musical number during the High School reunion scene!! The movie is not *meant* to be a serious philosophical analysis of life!

In my opinion, the movie was awesome. It had stunts, action, comedy, great acting (within the parameters of what the movie intended), great dialogue (again, within the parameters of what the movie intended) and moved at an excellent pace. The cameoes were the cherry on the sundae (although I dont know who "Eve" or "Pink" are....).

IF you view the movie in the style it was intended to watch, this is an excellent movie (9.5 out of 10). If you view this movie too seriously (imagine watching Leslie Neilson's Naked Gun movie with the mindset that you are watching a CSI movie), then you will be disappointed.

First of all, I noticed a lot of people dissing the film and saying how it's plot is thin, the characters aren't well developed, etc... well, that is kinda the point. Charlie's Angels, the tv series, was full of camp, and over-the-top antics and did exploit the use of sexy women. The movie(s) are based on this very notion, meaning that if you go to see the movie, you're going to see some campy-spoof, with some heavy moments, of a campy 70's show.

If you're into a fast and fun movie, filled with lots of action, noise and over-the-top scenes, then Charlie's Angels is for you! It's got a lot of great action, and even though it seems pointless, it's fun! Isn't that the whole point for seeing a movie in the first place - to have fun? I love drama, and other sorts of movies, but you really can't expect it from Charlie's Angels!

The one thing that is at the center of the movies, of course, is the chemistry between Natalie, Alex, and Dylan. Diaz, Liu, and Barrymore have a wonderful chemistry together and they make things fun, yet sincere.

This movie, with the addition of Demi Moore, ROCKED! It was a solid kick ass movie. It's just about fun, enjoyable and uplifting girl power at it's best! So sit back and enjoy it for what it is, and stop worrying and stressing over the plot - cause it's not about plot, it's about campy-fun! :)